My Mistake, Still a Great Night is an experimental exhibition that engages with the disruptive potential of "glitches" - unpredictable malfunctions, sudden protocol deviations, or errors in the (program) sequence. The exhibition employs the glitch as an instrument for critical reflection on established spaces, spatial structures, and prevailing linear narratives.

Upon entering, visitors are immersed in the remnants of a left-behind news broadcast studio: a recreated backdrop, an anchor's desk, cue cards, a glass of water with a lipstick stain, a left-behind blazer, and a teleprompter still running, showing the news script. A single-channel video collage of found footage depicting real glitch moments from politics, sports, and pop culture is projected onto a spherical surface, the studio backdrop behind the presenter's desk, forming the contextual and spatial frame of the scene. The choreographed film footage interacts with the staged script, as the moderator's voice, still commenting on what is being shown, descends from conventional reporting into a raw, poetic manifesto presenting the "error" as a revolutionary rupture.

Behind a curtain lies the backstage area, a windowless environment with control room cubicles, housing multiple monitors showing the staged news broadcast. The abandoned studio becomes a transformative space where visitors shed their roles as passive observers. They enter the scenes and morph into moderators and disruptors of the broadcast, playing with the borders of backstage and stage: My Mistake, Still a Great Night.